{"id":78844,"date":"2025-04-11T22:30:00","date_gmt":"2025-04-11T22:30:00","guid":{"rendered":"https:\/\/one.sightlinemg.com\/navytimes\/uncategorized\/2025\/04\/11\/warfare-directors-talk-filmmaking-process-capturing-combat-realism\/"},"modified":"2026-08-08T16:50:31","modified_gmt":"2026-08-08T16:50:31","slug":"warfare-directors-talk-filmmaking-process-capturing-combat-realism","status":"publish","type":"post","link":"https:\/\/one.sightlinemg.com\/navytimes\/news\/your-navy\/2025\/04\/11\/warfare-directors-talk-filmmaking-process-capturing-combat-realism\/","title":{"rendered":"\u2018Warfare\u2019 directors talk filmmaking process, capturing combat realism"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Nov. 19, 2006 is remembered as hell on earth for Petty Officer Ray Mendoza and members of Naval Special Warfare Task Unit-Ramadi.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">That day, Mendoza\u2019s team was ambushed in a coordinated attack \u2014 a grenade, an improvised explosive device and a hail of small arms fire \u2014 shortly after setting up sniper overwatch in an Iraqi residence. By the time the team was evacuated, an Iraqi Army scout was dead. Two SEALs, including Mendoza\u2019s best friend, Elliot, were severely wounded.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">For his actions amid the chaos, <a href=\"https:\/\/valor.militarytimes.com\/recipient\/recipient-315835\/\">Petty Officer Mendoza<\/a> would be awarded the Silver Star, the third-highest decoration for combat valor. Now, that harrowing day in November 2006 anchors Mendoza\u2019s feature directorial debut, \u201cWarfare,\u201d a film that unfolds in real time and is compiled entirely based on the memory of those who endured it.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">To do the story justice, Mendoza enlisted the expertise of Alex Garland (\u201cEx Machina\u201d), with whom he had collaborated on the 2024 blockbuster \u201cCivil War\u201d as the film\u2019s weapons advisor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mendoza and Garland spoke with Military Times about the filmmaking process that followed, and everything that went into creating one of the most realistic depictions of combat ever made.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.militarytimes.com\/off-duty\/military-culture\/2025\/04\/10\/how-warfare-brought-the-realities-of-the-iraq-war-to-the-big-screen\/\" target=\"_blank\"><i>Read our review of \u201cWarfare\u201d here<\/i><\/a><i>. Some interview answers have been edited for clarity.<\/i><\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><b>\u2018Warfare\u2019 is an intimate look at a major event in your life. How did this project come to fruition after all these years?<\/b><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><b>Ray Mendoza: <\/b>I\u2019ve pitched it a few times, but in the past it would have meant giving the idea to somebody and trusting them to do it right. I wanted to learn more in this industry, to see one day if it was even feasible to do it. That way, if it failed or succeeded, it\u2019d be on me. So, I was just looking for the right opportunity to do it. Alex helped facilitate that.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><b>Alex Garland:<\/b> We wanted to take an hour and a half and try to recreate an instance of real combat as accurately as possible. Ray and I had worked together before and discussed whether there was a story he wanted to tell. This one had been on his mind for years.<\/p>\n\n\n\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/JER0Fkyy3tw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen title=\"Warfare | Official Trailer HD | A24\"><\/iframe>\n\n\n\n<p class=\"wp-block-paragraph\"><b>RM<\/b>: I would ask myself if I was ready, emotionally, to tell this story and expose myself like that, not knowing if it would be successful or resonate in the community.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">So, I called the guys and said, \u201cHey, I want to do this for Elliot. Would you guys be a part of it?\u201d I would only do it if they signed off. Then there\u2019s trust with Alex, having worked with him on \u201cCivil War.\u201d I\u2019ve worked with a lot of directors, and they have their message they want to put out. In those scenarios I don\u2019t really have a lot of power. I\u2019m an advisor. They can either take my advice or not, but they have their vision, and it\u2019s not necessarily from the perspective of a veteran. But I knew Alex was receptive to that.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><b>How were the creative processes shared between you two as you worked on this project?<\/b><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><b>RM<\/b>: When it came to Alex and how we were going to work together \u2014 we\u2019ve said this a few times: it takes a village, it\u2019s teamwork. There were things I wanted to focus on \u2014 the battle rhythms of a firefight, the lulls, the peaks and valleys. There\u2019s this silence, and then boom, it would just snap and pick back up.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">That was my responsibility. And then Alex helped me figure out how we were going to extract those things. I wanted to show certain dynamics where, you know, if you spend enough time with a guy in combat, you don\u2019t even need to say shit to him. I can just look at him, right? Sometimes he\u2019ll smile, and I\u2019ll know where he is mentally. If he\u2019s just got that stare, I\u2019m like, \u201cAlright, I\u2019m going to be the one making decisions on the next move.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">How do we capture that? Because there wasn\u2019t going to be a lot of dialogue. So, Alex\u2019s experience \u2014 teaching me what lens to use, how long to hold certain shots and then in the editing room \u2014 we really had to put all that together. I had the recipe and all the elements. His piece was helping me show it.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"3249\" height=\"2160\" src=\"\/wp-content\/uploads\/2026\/08\/WRF20240523_0027.00_00_01_10.Still001-R.jpg.jpg\" alt=\"\" class=\"wp-image-109227\" srcset=\"https:\/\/one.sightlinemg.com\/wp-content\/uploads\/2026\/08\/WRF20240523_0027.00_00_01_10.Still001-R.jpg.jpg 3249w, https:\/\/one.sightlinemg.com\/wp-content\/uploads\/2026\/08\/WRF20240523_0027.00_00_01_10.Still001-R.jpg.jpg?resize=300,199 300w, https:\/\/one.sightlinemg.com\/wp-content\/uploads\/2026\/08\/WRF20240523_0027.00_00_01_10.Still001-R.jpg.jpg?resize=768,511 768w, https:\/\/one.sightlinemg.com\/wp-content\/uploads\/2026\/08\/WRF20240523_0027.00_00_01_10.Still001-R.jpg.jpg?resize=1024,681 1024w, https:\/\/one.sightlinemg.com\/wp-content\/uploads\/2026\/08\/WRF20240523_0027.00_00_01_10.Still001-R.jpg.jpg?resize=1536,1021 1536w, https:\/\/one.sightlinemg.com\/wp-content\/uploads\/2026\/08\/WRF20240523_0027.00_00_01_10.Still001-R.jpg.jpg?resize=2048,1362 2048w\" sizes=\"auto, (max-width: 3249px) 100vw, 3249px\" \/><figcaption class=\"wp-element-caption\">Ray Mendoza, left, and Alex Garland. (A24 Films)<\/figcaption><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\"><b>You mentioned minimal dialogue. Even though it was limited, the realism shined. How much teamwork went into that process?<\/b><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><b>RM:<\/b> It was written down by Alex, but then we had to demonstrate <i>how <\/i>to say things \u2014 you know, me talking to you versus me talking on a radio or even to a pilot. There are different communication styles, tempos. I had to teach the cast that.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">We also had a lot of help from Brian Philpot. He was a JTAC, and he kind of ran a comms course, going through all the verbiage in the script to get that rhythm down. A situation can be chaos, but when you hop on that radio, you have to get that composure, get out what you need to get out, then back to chaos. We put a lot of time into that.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Once the cast learned, we would just walk around like, \u201cHey, describe that street or that building. Talk this person onto a location.\u201d Philpot would be listening and critiquing what they were saying and <i>how<\/i> they were saying it. A lot went into it.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><b>The work showed in the cast\u2019s delivery. How did they do with training, whether it be with dialogue or tactical elements?<\/b><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><b>RM: <\/b>They were all sponges. You can\u2019t replicate combat, but it was an intense crash course in weapons handling and safety. Even with these blanks, you can still hurt someone pretty bad. So, weapons safety was the priority.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">I also had to identify who could shoot. If I had three months, I could teach everyone to shoot, but it\u2019s tough in this time frame. It\u2019s like the military \u2014 not everyone is good at everything. I just wanted to focus on this culture, create natural stress to get the brotherhood component. That\u2019s just a matter of exposure.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">If you\u2019re patrolling at night and you\u2019ve been around someone long enough you can tell who someone is just by the way they walk. You can almost predict what they\u2019re going to do just based off their body posture. I wanted the actors to have that, so they spent a ton of time together. Some of the movements in the film \u2014 it\u2019s because of that time together, all the practice patrols and being around each other.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"5989\" height=\"4000\" src=\"\/wp-content\/uploads\/2026\/08\/W_21422_R.jpg.jpg\" alt=\"\" class=\"wp-image-109229\" srcset=\"https:\/\/one.sightlinemg.com\/wp-content\/uploads\/2026\/08\/W_21422_R.jpg.jpg 5989w, https:\/\/one.sightlinemg.com\/wp-content\/uploads\/2026\/08\/W_21422_R.jpg.jpg?resize=300,200 300w, https:\/\/one.sightlinemg.com\/wp-content\/uploads\/2026\/08\/W_21422_R.jpg.jpg?resize=768,513 768w, https:\/\/one.sightlinemg.com\/wp-content\/uploads\/2026\/08\/W_21422_R.jpg.jpg?resize=1024,684 1024w, https:\/\/one.sightlinemg.com\/wp-content\/uploads\/2026\/08\/W_21422_R.jpg.jpg?resize=1536,1026 1536w, https:\/\/one.sightlinemg.com\/wp-content\/uploads\/2026\/08\/W_21422_R.jpg.jpg?resize=2048,1368 2048w\" sizes=\"auto, (max-width: 5989px) 100vw, 5989px\" \/><figcaption class=\"wp-element-caption\">Opening scene from &#8220;Warfare.&#8221; (A24 Films)<\/figcaption><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\"><b>How much time did the crew spend together?<\/b><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><b>RM: <\/b>Training was three weeks, but then there\u2019s five weeks of filming. But they spent every day together. It wasn\u2019t like, \u201cOh, that\u2019s a wrap, let me go back to my house.\u201d<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><b>It sounds like a miniature deployment. Did you let them shower?<\/b><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><b>RM: <\/b>Honestly I wish they would have fucking showered more. (Laughs)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">But out of that, that brotherhood did take hold. I told them at the beginning to cherish that moment. \u201cYou\u2019re gonna come out of this, and you\u2019re gonna experience something that a lot of people don\u2019t get to experience unless you join \u2014 and you\u2019re getting paid to do this shit. This is fucking fun.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">I gave them a lot of autonomy, too. The weapon stuff is kind of easy. I can get someone from A to Z really fast. The goal was really more of, \u201cI want you guys to really get to know each other, because you\u2019re going to see your friend get his fucking legs blown off.\u201d It\u2019s immersive, and I think that paid dividends for us.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><b>Even with that team dynamic, the moment the first casualty occurs in the film you see that no two guys react the same way to crisis. How much did your personal experience play into those details?<\/b><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><b>RM: <\/b>All of it. In this particular scenario, you have to factor in outside variables like being concussed. Someone can be an awesome operator, a fucking machine, but then something like how close a grenade or claymore blast was can spiral you. Or maybe it\u2019s being that close to death and surviving \u2014 it can startle you.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In this incident there\u2019s an IED that goes off. So some didn\u2019t ever get to recover during this fight. You just keep going deeper and deeper and deeper into that spiral. Within that team component, everyone wants to carry their own weight. When somebody can\u2019t, that\u2019s a scary feeling.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">For me, it was dealing with black outs. One minute I\u2019m here, the next minute I\u2019m at that door. I remember walking up to the door at the end of the firefight and guys are giving me my gear back and they hand me three magazines. I was like, \u201cWhen the fuck did I empty three magazines?\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">I had been in a bunch of gun fights prior to that, but it was just that blast shock. Your brain\u2019s like, \u201cAlright, I\u2019m taking over. You\u2019ve done this a million times. I\u2019m at the helm now.\u201d And you start getting these gaps in your memory.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"5625\" height=\"3757\" src=\"\/wp-content\/uploads\/2026\/08\/6K-3rpQ_.jpeg.jpg\" alt=\"\" class=\"wp-image-109584\" srcset=\"https:\/\/one.sightlinemg.com\/wp-content\/uploads\/2026\/08\/6K-3rpQ_.jpeg.jpg 5625w, https:\/\/one.sightlinemg.com\/wp-content\/uploads\/2026\/08\/6K-3rpQ_.jpeg.jpg?resize=300,200 300w, https:\/\/one.sightlinemg.com\/wp-content\/uploads\/2026\/08\/6K-3rpQ_.jpeg.jpg?resize=768,513 768w, https:\/\/one.sightlinemg.com\/wp-content\/uploads\/2026\/08\/6K-3rpQ_.jpeg.jpg?resize=1024,684 1024w, https:\/\/one.sightlinemg.com\/wp-content\/uploads\/2026\/08\/6K-3rpQ_.jpeg.jpg?resize=1536,1026 1536w, https:\/\/one.sightlinemg.com\/wp-content\/uploads\/2026\/08\/6K-3rpQ_.jpeg.jpg?resize=2048,1368 2048w\" sizes=\"auto, (max-width: 5625px) 100vw, 5625px\" \/><figcaption class=\"wp-element-caption\">Actors Joseph Quinn, left, and D\u2019Pharaoh Woon-A-Tai in &#8220;Warfare.&#8221; (A24 Films)<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">I really wanted to highlight that vulnerability and how, despite wanting to respond, sometimes your body\u2019s like, \u201cNope, I just can\u2019t do it right now.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">And then losing our Iraqi scouts, our medic was down, our LPO (lead petty officer) was down. At that point I think guys felt for the first time, like, if [the insurgents] wanted, they could bum-rush our building. We may kill a few, but we\u2019re probably done. We were just combat ineffective at that point.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><b>Depicting the fight in real time conveys that spiral vividly. How did you accumulate enough detail to compile an accurate 95-minute story?<\/b><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><b>AG:<\/b> The whole process really is me listening to accumulate as much information as possible, which began with Ray. I spent a week with him, where he just downloaded everything he could and I made notes and listened.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">And then we started to add to that with other people. There were gaps and blind spots, but slowly they\u2019d get filled as we talked to more people. Sometimes memories would collide or contradict. That\u2019s the nature of memory, because people develop tunnel vision in those moments. But slowly, all the missing elements seemed to get closed off.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The last missing element that was super confusing was that we had managed to get hold of some photos of this building taken shortly after this incident had happened. The photos were from Iraqis, not from the military. And there were some confusing pieces in the photos that became a good illustration of the way memory works.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The key one was that at the top of the flight of stairs there was what looked like a wall that had been knocked down. None of the people who were interviewed, including Ray, thought there was one there. It was really puzzling.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">That was a bit of documentary evidence meets memory. That was typical of the difficulties of piecing this together. The night before we shot, we finally managed to speak to one individual, who is played by Joe Quinn in the film, and he explained that there was a wall they had to knock down. It was a house that had been turned into two apartments.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In another example, there were two machine gunners on a roof area. Each individual said, \u201cI was there, and someone else was with me. But I can\u2019t tell you who the other person was.\u201d But through getting that same statement from the two, we were able to figure out who those guys were.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">It was a lot of cross referencing accounts and a bit of detective work at times. But we were always trying to push towards truth. That\u2019s the fidelity of this film, and why it exists in the way it exists. If we\u2019d invented things, it would have the quality of invention about it.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The business was to listen and for Ray to explain and then tell everyone how to execute what was real, as much as possible. It\u2019s not humanly possible to get it all right. But nothing was allowed to be in the movie that wasn\u2019t verified in some way.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"5989\" height=\"4000\" src=\"\/wp-content\/uploads\/2026\/08\/AV8mhNRD.jpeg.jpg\" alt=\"\" class=\"wp-image-109588\" srcset=\"https:\/\/one.sightlinemg.com\/wp-content\/uploads\/2026\/08\/AV8mhNRD.jpeg.jpg 5989w, https:\/\/one.sightlinemg.com\/wp-content\/uploads\/2026\/08\/AV8mhNRD.jpeg.jpg?resize=300,200 300w, https:\/\/one.sightlinemg.com\/wp-content\/uploads\/2026\/08\/AV8mhNRD.jpeg.jpg?resize=768,513 768w, https:\/\/one.sightlinemg.com\/wp-content\/uploads\/2026\/08\/AV8mhNRD.jpeg.jpg?resize=1024,684 1024w, https:\/\/one.sightlinemg.com\/wp-content\/uploads\/2026\/08\/AV8mhNRD.jpeg.jpg?resize=1536,1026 1536w, https:\/\/one.sightlinemg.com\/wp-content\/uploads\/2026\/08\/AV8mhNRD.jpeg.jpg?resize=2048,1368 2048w\" sizes=\"auto, (max-width: 5989px) 100vw, 5989px\" \/><figcaption class=\"wp-element-caption\">Mendoza, center right, talking with actor Will Poulter. (A24 Films)<\/figcaption><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\"><b>I\u2019ve heard enough discussion about \u2018Civil War\u2019 to know cinema goers too often crave agendas versus simply accepting a film for what it is. What would you say to viewers of \u2018Warfare\u2019 who might be angling for it to make a statement?<\/b><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><b>AG: <\/b>The film doesn\u2019t have any sort of agenda. It\u2019s just showing what happened. Everybody who worked on this film was not allowed to massage or alter anything. We were looking for total honesty, and to Ray\u2019s immense credit and the credit of all those interviewed, they were truthful.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The only time I ever detected something that felt to me like untruth would be people slightly diminishing something about themselves in terms of their own courage. That\u2019s cultural.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">What that means is, in this film, you get a warts-and-all account. It is, in effect, neutral. It\u2019s not proselytizing anything. It\u2019s just saying, \u201cThis is the sequence of events,\u201d and then it\u2019s up to other people to act like adults and respond to it as they will, without us sticking helpful flags everywhere and saying, \u201cThis is what you should feel.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Everyone wants an agenda. But there doesn\u2019t have to be one in every film. We can just show something and talk about it. We were neutral, because the truth is neutral, and then you can take from that what you want.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><b>Was bringing that truth out in this film \u2014 whether it was through instructing the actors or reconnecting with your teammates \u2014 a therapeutic experience?<\/b><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><b>RM: <\/b>It was. Elliot was my best friend, and so when I saw him \u2014 that\u2019s obviously something that lives in my brain forever.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sometimes to function whenever something catastrophic happens, or even just seeing violence or death, you just push that down. You\u2019re just like, \u201cI have a job to do.\u201d You compartmentalize everything over time.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Even in the case of this firefight, three days later we were all out fucking getting it again. You just don\u2019t even have time to talk about it. You\u2019re just packing more shit onto it. If someone else gets shot, you\u2019re shoving that down, too.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">But that monster is going to catch you one day. So, when I was looking at why I was making the movie I really had to ask myself if I was even ready. I called all the boys and told them, \u201cI can\u2019t do this without you guys. This is how I feel about it. What do you think?\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">To make that decision and break that shell open \u2014 I knew it was going to hit me at some point, and it did. There\u2019s a scene where D\u2019Pharoah [Woon-A-Tai] is dragging Cosmo [Jarvis] up the driveway. We shot it a few times. Elliot was there on set. It was really his first time seeing what happened. We\u2019d only described it to him to that point.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">I remember how fucking hard dragging him was. I was like, \u201cWe\u2019re both gonna get shot in the fucking face because I can\u2019t drag you fast enough.\u201d He\u2019s a big dude, power lifter, had huge fucking quads and his whole kit on. I had my pack on.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">I was halfway up the driveway and thinking, \u201cThat\u2019s it.\u201d I was breathing phosphorus in, my fucking lungs were on fire. I just couldn\u2019t do it anymore. D\u2019Pharoah captured it so well.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">When Elliot first woke up in the hospital I was telling him about how hard that was. But when he saw it play out on set, he started crying. That just cracked it open for me right there. I called cut, then I ran off set and just cried for 10 minutes.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">That needed to come out. I think we both needed to share that moment, as surreal and emotional as it was. That was probably, in a weird way, the only way that could have happened for me to let that go. I\u2019d had a really hard time up to that point.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.militarytimes.com\/off-duty\/military-culture\/2025\/04\/10\/how-warfare-brought-the-realities-of-the-iraq-war-to-the-big-screen\/\" target=\"_blank\"><i>Read more about the story behind the film here<\/i><\/a><i>. \u201cWarfare\u201d is now showing in theaters nationwide.<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Directors Ray Mendoza and Alex Garland discuss everything that went into creating one of the most realistic depictions of combat ever made.<\/p>\n","protected":false},"author":7,"featured_media":109580,"comment_status":"open","ping_status":"open","sticky":false,"template":"single-post-featured-layout","format":"standard","meta":{"_acf_changed":false,"_yoast_wpseo_meta-robots-noindex":"","_yoast_wpseo_meta-robots-nofollow":"","_yoast_wpseo_canonical":"","_acf":"","_yoast_wpseo_primary_category":65,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","_smg_distribution_targets":[]},"categories":[101,68,12,26,13,65],"tags":[],"coauthors":[3413],"class_list":["post-78844","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-daily-news-roundup","category-military-culture","category-news","category-newsletters","category-off-duty","category-your-navy"],"acf":{"subheadline":"","legacy_arc_id":"OVJORWI6Y5AABEY6A47RRDHFVM","arc_canonical_url":"\/news\/your-military\/2025\/04\/11\/warfare-directors-talk-filmmaking-process-capturing-combat-realism\/","remove_feature_photo":false,"is_sponsored":false,"subtype":"featured-layout","redirect_url":"","disable_inline_ads":false,"native_logo_pretext":"Presented By:"},"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.0 (Yoast SEO v28.1) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>\u2018Warfare\u2019 directors talk filmmaking process, capturing combat realism - Navy Times<\/title>\n<meta name=\"description\" content=\"Directors Ray Mendoza and Alex Garland discuss everything that went into creating one of the most realistic depictions of combat ever made.\" \/>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018Warfare\u2019 directors talk filmmaking process, capturing combat realism\" \/>\n<meta property=\"og:description\" content=\"Directors Ray Mendoza and Alex Garland discuss everything that went into creating one of the most realistic depictions of combat ever made.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/one.sightlinemg.com\/navytimes\/news\/your-navy\/2025\/04\/11\/warfare-directors-talk-filmmaking-process-capturing-combat-realism\/\" \/>\n<meta property=\"og:site_name\" content=\"Navy Times\" \/>\n<meta property=\"article:published_time\" content=\"2025-04-11T22:30:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-08-08T16:50:31+00:00\" \/>\n<meta name=\"author\" content=\"J.D. 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